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Kunst

Yes, magic exists!
Yes, magic exists!

Antonin Artaud, Stephen Barber (Hg.)

A Sinister Assassin

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...
  • Dichtung
  • Literatur
  • Apokalypse
  • Avantgarde
  • Autobiographie

 

Themen
Aktuelle Texte
Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

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  • Körper
  • Afrika
  • Performance
  • Zeremonie
  • Kolonialismus
  • Spiritismus
  • Feminismus
  • Ritual

 

The Dance of All Things
The Dance of All Things

Georges Didi-Huberman, Laurent Mannoni, ...

Movements of Air

It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...
  • Fotografie
  • Geschichte der Fotografie
  • Positivismus
  • Mediengeschichte
  • Künstlerische Forschung
Aktuelle Texte
Courbets Gesicht, erfunden von Baudelaire

Michael F. Zimmermann

Courbets Gesicht, erfunden von Baudelaire

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  • Kunstgeschichte
  • Kunsttheorie
  • Subjekt
  • Realismus
  • Selbstporträt
  • Subjektkritik
  • Malerei
  • Zeichnung